Of the 1,700 body paint-stained videos dropped off at the NFL's doorstep, Gino Bona's idea was chosen for the coveted 30-sec spot on Feb 4's Super Bowl. The Bills fan claims he tapped into his own "pathetic emotions" to illustrate how bummed fans get when football season ends.
Bona's also the biz-dev director for up-and-coming marketing firm Garrand. (To be fair, this is his first attempt at a TV spot.) And an Adrants insider would bet his life or at least $5 that his agency troop helped at least a little for the consumer-generated ad contest.
Commercial Director Joe Pytka will assist in turning the tear-strewn "fan" idea into a bonafide ad. Pytka's done a slew of Super Bowl slots in the past so from beginning to polished end the spot will have been invented by ad people and completed by ad people. After all that begging, way to go consumer-gen, guys.
The Sopranos and A&E pair up for Suitcase of Cash, an intelligent though slightly labyrinthine campaign that aims both to court interactivity and get people more involved in their advertising (rather than having them turn in a bunch of manic self-aggrandizing homemade videos).
The game coincides with the January 10 premiere of the show and recalls McD's annual Monopoly contest, though it makes better use of multiple media. Users collect game pieces to arrange on a virtual gameboard.
The game pieces are banner, print and outdoor ads, which can be photographed and uploaded, then mailed to an address that uses military face recognition (kind of like MyHeritage?) to ID the piece in the photo. For online ads, users just need to click, which we're sure will generate higher numbers for everybody's media kits this year.
Our heads are spinning but it sounds like fun and a $100,000 grand prize ain't small pickin's. It would be awesomer still if there was an Assassin twist to it - knocking people off and taking their game pieces would be right up our alley and even better for the Soprano's tie-in.
It shocked us a little that for 2006 somebody will actually get credit for doing more than being you or spending money. But instead of dicking around like its counterparts, AdWeek stays on track by asking vital questions like, "What's more important, growth or creativity?" which they say contained the big answer for which agencies deserve the gold stars for blood, sweat and tears.
And that's why they've awarded Global Agency of the Year to TBWA, which orchestrated the oft-spoofed but beloved Mac v. PC campaign.
AdWeek also gave Goodby, Silverstein & Partners the coveted US Agency of the Year Award for their "Got Milk?" campaign, featuring an odd alien twist and even some scandal in '05.
Hats off to Goodby, Silverstein & Partners, to TBWA and to AdWeek. They deserve an award for not shirking the responsibility of doling out much-earned credit in favour of that consumer-as-marketer hype. But we can't just blame Ad Age and Time for slacking when lately even major brands prefer to beg for ads instead of creating something themselves.
But hey, it's a fine line between generating legit consumer interactivity and generating yourself out of a job, yeah?
For client General Electric, BBDO New York creates Samurai, fable about a Japanese fluff-ball on whose shoulders is set an Algieresque task to save the world from an evil emperor. With animation by Three Legged Legs, Samurai is part of GE's Imagination Theatre effort which marries the brand giant's proclaimed passion for innovation and imagination. It also serves as an illustrative and musical platform for their most current technological offerings.
The concept brings Toyota's misguided and busy world of Flash to mind, except without the misguided and busy world of Flash. GE also does Suzuki one better by taking the branded film idea and blessing it with their own personality instead of copying somebody else's and throwing in Fast-and-the-Furious-style cast members.
We like it. But who can hate on anime? It's the only sanctioned form of animation that gets to be both adorable and violent without pissing the PC police off. Plus it has ninjas, and we've already established that anything involving ninjas is automatically cool.
Apparently water, when directed a certain way, can make words. More importantly, those words can be ads. Who'd've guessed?
This Tel Aviv campaign by Veecee protests rent spikes by adding cardboard prostitutes to a neighborhood in hopes that landlords will stop addressing humble one-bedroom flats as lofts with vaulted ceilings. Trendhunter has additional imagery and video.
The idea is neat but we're not sure how well it stands up considering bewildered passers-by in the 'hood didn't seem to have a clue why cardboard hookers were appearing at every turn.
Perhaps they can take the campaign further and populate badly-lit areas with cardboard drug dealers, car thieves and crack addicts. And while they're at it, strew a bit of sludgy litter here and there. Park a few cardboard Pintos haphazardly in corporate lots.
There are so many directions this idea can take. Do we have to stop at hookers? Just a smidge more cardboard deviance would get the message across loud and clear.
Women's health and reproductive rights organization IPAS campaigns to get women to speak up when they've been sexually abused. The ads well illustrate both the rage and sense of isolation that occurs when a person's been compromised. The little tear on the right cheek is helpful too, and the font is nice and raw.
The ads were put together by Santaclara, a spankin' new Sao Paulo agency. Well, this is a good strong start. Ethnic variations for IPAS are here and here.