Yodle client testimonials
Online business to business directory yellow pages united
Buy embossers from All Pro Stamps
Riffing on the increasingly fake aspects of culture from implants to injections to extensions, Toronto agency Zig created a print campaign for New York Fries which draws a dichotomy between fakeness and the all natural goodness of New York Fries.
Witty campaign but what's really sad is the fact an actual ad campaign is needed to sell something that is supposed to be fried potatoes and nothing else. Food - and everything else in this world - has become so processed, hardly anything is real anymore.
For example, breasts. Big breasts are great. Every woman seems to want them and every man seems to want to ogle and fondle them. Fine. Nothing wrong with obsessing over big breasts (well, OK, maybe it is a bit degrading to reduce a woman to a body part) but fake big breasts are exactly that. Fake. Not real. They don't look real. They don't feel real. They aren't attractive to look at. They aren't real. And fake isn't fun.
Neither are fake French Fries. Two other fake-focused ads are here and here.
His name was Paul Potts. During his unexpectedly spellbinding audition on Britain's Got Talent, he touched the hearts of viewers everywhere. (Really. I don't know if it was his voice or the pop show context or what, but I've never seen anything like that on American Idol.)
The crescendo: Before he went on to win the show last year, he was a mobile phone salesman. So now T-Mobile's using his defining moment in a German ad campaign. (Nice touch with the little girls and businessmen crying over their mobile phones.)
The closer (translated from the German): "Life gives us extraordinary moments. The beauty of it is that we can share them." What a charming lesson in opportunism.
This is sorta nifty. Motivated by the assumption that youth adopt ideals based on how they're presented, Grey/Madrid launched Compra esta actitude ("Buy this attitude") on behalf of the Madrid City Council.
The effort tells people to save energy by twisting up gimmicks we're all familiar with. Ads were inspired by shampoo and perfume ads, and even those totally improbable amateur online videos.
Creative is divided by medium: Internet, TV, Radio, Grafica. Run a barcode scanner over each to see the work. The image at left is from the shampoo spoof, where a woman with lustrous hair swings it in the direction of a lightswitch and flips it off. And here's the online video they're pushing: "The light pong masters," inspired in part by stuff like "Guy catches glasses with face" for Ray Ban. Expect some heavily edited, totally improbable ping pong action. Yeah, baby, yeah.
Anomaly/NY worked with Santogold, Julian Casablancas and Pharrell Williams of NERD to produce My Drive Thru, a paper doll music video for Converse. It's effortlessly dope, more so because Pharrell is the coolest fucking celebrity in the entire world. Oh, and the other two are also pretty awesome.
This is part and parcel of Converse's "Connectivity" campaign, which rocked well from Day 1. Scoop My Drive Thru up free on the Converse website, which was revamped to reinforce the celebu-paper doll thing. (Also very cool.) Click "unfold" for screen takeover -- minimal laggage -- then download the track.
Hey, hey, hey! Maybe being an intern at an ad agency isn't such a bad thing. That is if you're an intern at Naked Communications and the agency's client is Contiki Tours. On his first day, intern Gavin Chimes was ambushed with agency sending him on a surprise trip to Europe; first stop, Amsterdam.
The agency will be documenting his entire Contiki Tour, a company that offers travel tours for 18-35 year olds, so as to share the experience from the vantage point of an unsuspecting traveler. Any other agencies want to offer up a better intern program?
Up until the final tagline, "Your five senses prefer a Renault Magane" (which you have to listen to over and over to understand), this Brazilian commercial for the Renault Megane instills that sense of brotherly love you get when...well...you crowd surf your way home from work while some techno plays in the background.
Mike's Hard Lemonade is hard up for some social and consumer generated media action having gone down the road of the personalized fake newscast which, like, everyone is doing to the point of absolute boredom. So it's very likely Mike is really really hard right now for Nashville Star contestant Ashlee Hewitt who, on her own we are assured, has written a song about Mike's Hard Lemonade and how a group of girls used to come into a bar she worked at and ordered Mike's Hard Lemonade.
Hmm. And here I thought only rap artists embedded brands in there music. Of course that could simply be because I never listen to country music. Anyway, here it is. Be happy for Mike and his Hard...Lemonade.
Get Your War On, the satirical anti-war comic series by David Rees, is turning into an online video series. See the preview at 236.com, where it will air exclusively.
The "video strip" will be put together by Flat Black Films, which did Waking Life and those Charles Schwab ads that I liked but everyone else hated.
On Sunday I moderated an ad agency panel for Shoot! the Day, a day-long photographer conference put together by PhotoShelter.
A few things I picked up amidst coleslaw mountains and sassy stock:
- ADs and art buyers depend pretty heavily on stock photography, but feel like they've seen everything the industry has to offer -- including its paltry selection of models. "It's become a running joke," said Molly Aaker of Unit7. "'There's that same girl, except with her hair up!'"
- Diversity is an issue, but it can't be solved just by changing the color of people's faces. Belinda Lopez of StrawberryFrog wants to see more "documentary-style" imagery -- people in natural poses, expressing real emotions, and doing things a person in that situation and/or of that ethnicity is likely to do.
- Everybody seems crazy about PhotoShelter -- which is probably why they attended the first annual Shoot! the Day in the first place.
As a follow up to its original rugby film, Land Rover is out with another which debuted mid-July and has, again, tapped British royalty to appear in the video. In the new video, the goofy rugby lover puts his smarmy moves on Zara Phillips, the eldest granddaughter of Queen Elizabeth II. Phillips, an equestrienne Eventing World Champion is seen taking her horse out of its trailer while the goofy dude tries to explain to Phillips, who, apparently, he doesn't know, how simple horse rising is. Philips just smiles but the horse doesn't take too kindly to the dude's smarm.
In late 2006, Phillips appeared in a print ad for Land Rover wearing a gown covered in mud with the headline, "Beautifuly Poised." The Queen wasn't all that happy about her appearing in the ad but perhaps she's had a chance to get used to Phillip's more "real world" endeavors.