The Commercial Closet Association has selected the winners for its third annual Images in Advertising Awards. IKEA nailed the gold for outstanding commercial with this peppy little spot; the rest of the winners can be seen here.
To note, the CCA gave out a ton of awards but didn't give any out for Ad Agency of the Year or Turnaround Mainstream Advertiser. This was due to a lack of worthy candidates. Youch. Better luck next year, guys.
For the Seattle International Film Festival (SIFF), which runs till June 17, SIFF and WONGDOODY join forces to launch Find True Film, a marketing effort that pairs users up with ideal genres.
See the campaign ads. They are kind of cute but also very MTV, which takes the edge off. We do dig the retro feel, though.
* Coquettish Medusa
* Chivalrous Grim
* Ramen (because nothing says "I love you" like false premises and consequent ingestion)
Find True Film suggested Adrants take a laxative and sit for an action flick, so now it's time for Fight Club and Ex-Lax. We'll tell you whether it's a winner.
We thought this campaign, developed by JWT, Dubai for Pause & Play International Film Festival, was neat.
The theme, "Tired of watching the same Hollywood cliches," corresponds to the tagline, "Not the usual fare." We were pretty surprised by the number of cliches the copywriters were able to find; then again, they forgot a big favourite: the improbable pair always gets together.
Each poster relies entirely on text to draw interest to the film event. Not an easy thing to do. Whatever happened to good typography? Oh right, CGM. Okay, no, Cappiello definitely hammered in the first nail. But by no means was CGM far behind, give or take a few decades.
Even though this happened last month, it seems to have slipped undetected under our radar though we're not sure how given our unique propensity for all things wacky and wierd. Sony, in a not so twisted effort to illustrate the gruesome nature of its just launched God of War II PlayStation2 game, thought a slaughtered, beheaded and gutted previously live goat would do the trick. The goat was central to a party the gamer held in the UK which also featured an offal-eating contest, knife throwing, snake biting and topless waitresses with painted on tops.
Predictably, the International Fund for Animal Welfare was not pleased calling the stunt "outrageous. The organization's spokesman said, "We are always opposed to any senseless killing of an animal and this sounds like a gruesome death. We condemn Sony's actions. It is stupid and completely unjustified."
I popped into a session at the recent ad:tech in San Francisco that covered Anheuser-Busch's Here's to Beer campaign and Verb, an active attempt to bring play back to the kiddies.
ad:tech is quite possibly the only place where beer marketing and children can be discussed in one forum.
"You're born, you take shit. You get out in the world, you take more shit. You climb a little higher, you take less shit. Till one day you're up in the rarefied atmosphere and you've forgotten what shit even looks like. Welcome to the layer cake, son." - Eddie Temple, Layer Cake
ad:tech's Wednesday evening keynote, entitled Old Warriors Don't Die!, gave war-hardy industry executives a rare opportunity to reflect on the early state of online communication. Moderator Tony Perkins of AlwaysOn Network moved discourse saltily between the following panelists: founder Jonathan Nelson of Organic, founder Kevin O'Connor of O'Connor Ventures, managing general partner Bob Davis of Highland Capital, and co-founder Gene DeRose of House Party, Inc.
Lollapalooza kicks off August 3-5 with an awesome line-up including Modest Mouse, Lupe Fiasco, Pearl Jam, Daft Punk, Interpol and others.
Heavily sponsored by AT&T, which wants really badly to shake its rotary vibe in favour of something more Cingular, the event courts Palooza enthusiasts by inviting one and all to "tell us what you'd like to see, hear, eat, feel, drink, buy or hug." (Because it's not just any Lollapalooza, it's your Lollapalooza.)
To whet the appetite, throw together a PaloozaHead, an animated widget that features your face or a mash-up of favourite band members. Yes, it's creepy but no creepier than anything else already out there. (That Mel Gibson menorah still gives us the shakes.)
Watch for the laggage, though. We checked the backs of our computers at least four times to see if someone had wedded us back to 56K as some sort of nasty joke.
What started as an innocent Youtube lookalike contest has escalated to a hostage situation. Stephen Colbert of The Colbert Report has been taken - to wild and crazy Canada! Read hostage letter and blog, which lists various against-my-will! atrocities being committed against Colbert at this very moment. These include getting eaten by the Oshawa General and meeting the mayor. Those Canadians don't mess around - Stockholm Syndrome, here he comes.
Release can be arranged if somebody grants his captors the rights to produce a legit Stephen Colbert Action Figure. We are fervently pro-action figure and would love it if all our media friends could stare encouragingly down at us with frozen smiles (kind of like in real life) from a way-high-up shelf over our desk.
Thank the creeptacular toy-loving folk at Happy Worker, and now let us take hands and pray.
Following its long running strategy of attracting men with the most powerful aphrodisiac, women, and its latest Bom Chica Wah Wah theme, Lynx, with help from the Lynx Mynxes, has launched Lynx Players and the Bom Chicka Wah Wah Rally - some kind of flirting contest. Anyway, it's all about bodacious babes and Florida sunshine. Oh, and, apparently, some deodorant gets sold along the way.
For their ongoing Want 2 B Square campaign (whose Boy Meets Girl video we're still fawning over), Scion throws out the last of its six worlds, The Beat. It's music-themed and contains a Dance Dance Revolution-type game, which we like but are ashamed of liking.
We've grown fond of Want 2 B Square and are even starting to think the xB's aren't bad on the eyes. But sentimentality aside, Scion has done a good job of using alternative forms of marketing and subculture inclusions to push the weird customizable vehicle. Which is more than what we can say for some.