- Amsterdam's Pink & Poodle takes women on for Heineken cider brand Jillz.
- Sayonara to Enfatico (and about bloody time).
- LA Times positions Southland ad as news story. (Via).
- D*Face gives The Queen a facelift.
- Seeking greener pastures on the down-low? One headhunter's business card is edible.
- One prepaid mobile's bailout plan.
- Reason #4320984309384 why we can't visit mom and dad after Cannes.
- Visa Debit does Superfreak. We don't know why, but Morgan Freeman doesn't sound sold either.
One of the biggest complaints about CP+B's wacked-out Gates/Seinfeld campaign was that it didn't really do much to push the product. In fact, it didn't mention the product at all.
As you recall, that effort was fast followed by "I'm a PC," which did mention the product, but not in any technical or deeply informative way.
Here's the latest suite of MSFT fumbles, labeled "Laptop Hunters." In this installment, an incredibly smug human being called Giampaolo shows us all how precious, how picky, how tech he is(n't especially) -- while on a quest to find the perfect (MSFT-subsidized) laptop.
Liberty Mutual continues its ongoing Responsibility Project with this :60 ad. You get the gist: a kid talks about doing the right thing while a melange of intimate family images scroll by in soft light.
See previous work, which is equally sappy but for the most part well-produced. We may be over this idea, but LibMu's commitment to the Responsibility Project will probably go a long way toward making it the Coca-Cola of insurance.
Really. Give it a couple of years; it may be a one-way conversation, but for work like this, consistency is key.
Work by Hill Holliday in partnership with Harmony Korine, which -- oddly enough -- wrote and directed Gummo, another film with a sympathetic kid whose environment may or may not convince you to invest in a little bit of insurance.
Ray Ban's promoting a technicolor melange of plastic Aviators with a Cutwater-orchestrated ad called "Drill," where a big plastic drill with crayons strapped to the front of it wreaks havoc on a sedate canvas.
It's a fun watch. We wouldn't mind seeing it again and again, all over network TV. (Not nearly as engaging as "Super Chameleon" though.) Kinda reminds us of the Nano Chromatic campaign.
Vaguely Russian kitsch and vaudevillian melodrama infuse this new spot for Amnesty International/Portugal. It's the usual global atrocities, all in-your-face and extra-extra, but tempered by a comic-book feel. The tagline seals the deal: "EVERYBODY IS AGAINST EVERYBODY BUT SOMEBODY HAS TO BE FOR THEM."
It's a big message, delivered in a heightened reality, given appropriate weight without vibing like overbearing charity bullshit. We likes.
By Leo Burnett/Lisbon and Lobo, a Brazilian production co.
AdFreak passed us a peek of that Padma Lakshmi Carl's Jr./Hardee's spot, filmed earlier this year.
It'd be tough to find anything better to say about it than "redefines food porn."
It's a modern update on that voyeuristic Cindy Crawford ad from the late '90s, where homegirl's indulging in a burger while geeky office cogs watch her with lust-saturated expressions. Except in this case, it's you playing voyeur, and Padma's making a lot more naughty with that big messy patty.
He once had an awkward moment -- just to see how it feels. He can also speak French. In Russian.
Dos Equis' Most Interesting Man in the World spreads wee bits of his magic in five ultra-short spots. Just imagine if James Bond were cross-bred with Hugh Hefner and being constantly shadowed by an ironic narrator; you might get a whiff of what this effort's all about.
Point is, the seasoned hunk of cultured man drinks Dos Equis, and he encourages others to "Stay thirsty, my friends," a suave, winky-winky way of saying Stay fast and loose, keep learning ... and drink a helluva lot.
Labors of love by Euro RSCG, which sought to target "men who live or aspire to live 'interesting' lives."
The quotations around "interesting" are from them, not us. Smirk.
- Ex-Ofsted chief proposes that kids learn social media skills -- Wikipedia, blogging, podcasting, Twitter -- in primary school, alongside other communication skills like handwriting and keyboarding.
- How far would you go for some glacier-fresh Kokanee? As far as the dudes in this spec ad? (Gotta say: the premise is cheesy, but production is clean.)
- Pretty spiffy ATL ad.
- Havaianas footwear in full bloom around Paris. Almost too pretty to stand.
- Fallon Skimmer.
- Take it straight: we fucking hate this execution.
- Kevin Spacey to do Michel Gondry-directed ad for American Airlines.
- Killed Idea alert: "the following ad for Krystal Hamburgers created by the Johnson Group in Chattanooga was killed for fear of 'clown retribution.'" Ever read Jpod? This sorta reminds us of that.
It's hard! times! for Hugh Hefner, the world's most recognizable epicure of biped bunnies. With that in mind, Playboy TV's tapped zig/Chicago to help launch its first-ever programming promo campaign.
Under the tagline "A better reality awaits," each ad depicts a formulaic reality TV trope that could do with a little bit of Hef-style debauchery. For some reason though, they feel less party-at-the-mansion and more like Wild On.
I know Playboy needs to walk that line between cutting-edge and soft porn, but it's doing more brand-tarnishing than brand-polishing here. Random party shots of the Mansion in Entourage and Sex and the City probably do more for the company image than these knee-jerk knockoffs of network TV.
New York Mets base-grabber Jose Reyes makes an appearance in "Instinct Fast," a new spot for sports label Under Armour.
Put together direct-to-client by Shilo, the piece is sober, slow-moving and taut. Its objective is to promote the Heater lightweight cleat to aficionados of baseball, a word we never hear independently of "steroids" anymore.
Under Armour's carved a niche for itself as the athletic label with a flair for the theatrical, but bon mots from Shilo creative Noah Conopask suggest the vibe's infectious: "We wanted it to feel like a battle, where Jose and the pitcher both had their fingers on the trigger. We wanted you to see it in their eyes, in their body language, and we wanted to subtract everything out of the world they were in, no bleachers, no fans, no scoreboard, only the moment..."