Saturday night: the show to end all shows, the one people actually queue in line for. (Though markedly less so than in previous years, as tweeted by Influencia.) And while recession-spawned conservatism was accounted for, the jury hailed from all corners of the globe and generated cheers -- like rock stars.
Saw some awesome work over the next two hours, but it remains a shock who ultimately won what.
There was a lot of talk about how Cannes Lions '09 differed from previous years. I'd say there was a greater focus on how efforts addressed users directly, although creativity remains a big part of that. And given who won the Grands Prix for Titanium and Integrated, it may be the first year agencies must take into account that the user has become a legitimate advertiser himself.
This is no death-of-the-agency foretelling; it's simply a call to listen more closely and respond more intuitively to the crowd. We have spent so many years trying to contrive artificial emotional connections between products and people; it is only natural that, now that they're able, consumers demand to know why those connections should exist in the first place.
What does your company stand for? Does it listen and respond to me? Crucially, is it as willing to incorporate me into its message as I am to incorporate it into my life?
Grand Prix recipients, and a wee bit o' work, listed below.
Last night was the Cannes Lions awards event for Design, Press and Cyber efforts. As always, for the full list of winners, go hithery-dithery. But here are the Grand Prix winners for each category:
For DESIGN: "Paper Battlefield" for Nike Hong Kong by McCann Worldgroup/Causeway Bay.
For PRESS: "We Are Animals," that creepy bejeaned-human-meets-carnal-instinct campaign by FRED & FARID/Paris for Wrangler.
For CYBER: "Best Job in the World" -- which is seriously cleaning up this year -- by Cumminsnitro/Brisbane for Tourism Queensland.
"Eco:Drive" by AKQA/London for Fiat also scored a Cyber Grand Prix, as did "Why So Serious?" for Warner Bros.' The Dark Knight. The latter campaign is a typical piece of elaborate genius by the folks at 42 Entertainment/Pasadena, whose every project is not so much advertising as it is grand oeuvre.
At 72 Croisette (the so-called Gutter Bar) last night, Shannon Stephaniuk introduced me to the members of Ogilvy Stockholm, which won a Gold Lion for its work for UNA Sweden.
Their objective was to raise funds to support the war victims of Georgia (the country, not the state); and to do this, they spoke with the locals and gathered small, specific and personal items that belonged to people affected by the war.
See Shoes, Sweater and Sheet; I found the sight of those scorched, warped items physically painful, and the stories still more moving.
It's my strong feeling that the work deserved a Grand Prix, but apparently you can't win one if the effort is nonprofit. Weird logics. In any case, I hung out awhile and talked to the guys about the work, what they did and how it made them feel in general.
Video interviews below. Given that it's the Gutter Bar at 2:00 AM and not, say, an Embassy lobby, try to bear with the background noise. Better yet, imagine you're there, stumbling around with your third vodka tonic, playing guess-the-accent with your group of chums-for-the-week.
Last night was the ceremony for Radio, Media and Outdoor -- not very exciting stuff, but you get a chance to review highly localized work you wouldn't otherwise be exposed to. Always good to remember what ad life is like outside internets.
Here are the Grand Prix winners for each category. Hopefully by now I don't need to tell you where to go to see the full list of oversized bookend recipients.
For RADIO: Net#Work BBDO/Johannesburg wins Grands Prix for "Dancer," "Dog" and "Ferret" -- three radio pieces for Virgin Atlantic Airlines, South Africa. Wanna hear? Listeny-listen.
For MEDIA: JWT Japan/Tokyo scores for "Kit Kat Mail 2009" on behalf of Nestle's Kit-Kat.
For OUTDOOR: TBWA\Hunt\Lascaris Johannesburg wins Grands Prix for "Fight the Regime," "Cheaper than Money," "Trillion Dollar Billboard," "Z$250,000,000" and "Wallpaper" -- on behalf of The Zimbabwean. The campaign's objective was, in great part, to demonstrate the ridiculous rate of inflation affecting Zimbabwean currency as a result of the current regime.
We covered one execution in which trillions of Zimbabwe dollars were used to wallpaper a billboard. Trillion dollar bills were also used as flyers. See the rest of the work; if you're curious about the roots of Z's current political situation, read some colourful background.
- Boobs too big? Trouble sleeping while their spilling all over the place? Kush has the answer to that weighty issue.
- Want to watch the world's worst commercial? Here it is.
- ScratchIT. Go ahead. Scratch it. Really. Microsoft wants you to scratch it. S go on. Give it a scratch.
- Creative production company Stardust Studios is out with a new website. Founder/CD Jake Banks said, "Compared with our previous version, this site focuses more on movement and functionality, and aims to give visitors a unique visual experience that will heighten the creativity in each spot we present."
- Black Eyes Peas promote their new album...only at Target. Sell out? Just the way of things?
- BK's Super Seven Incher gets a blow job.
This is beyond weirdly creepy. Or is it creepily weird? Or is it just bad? Or wrong? Whatever. It's made by an ad agency that's going to Cannes for the first time so, of course, it's full of all sorts of inanity not to mention a tiny red Speedo...a version of which arrived at our doorstep this morning, no less! And no, we are not going to wear it lest we want to be a poster boy for Donny Deutsch.
Yes, Red Tettemer is going to Cannes and they've brought their red Speedos along. Not to mention a lot of other weird shit. Have fun, guys.
This year was the first year Cannes recognized PR's role in getting a brand message across, so PR people just about creamed themselves getting here. Even Hill & Knowlton couldn't help but say something smug about it before passing the mic to Biz Stone this afternoon.
Yeah, you guys are in the door, woo woo.
We're not gonna sit out and type the full list of trophy bait; that's what the Cannes Lions awards subsite is for. But here are the Grand Prix winners in all three categories, and a few nice PR Lion winners, too.
For PROMO: "Yubari" for Yubari Resort (Japan), by Beacon Communications/Tokyo.
I didn't really understand the beauty of this campaign until it was explained to me in full. Apparently Yubari used to be a miner town, and when the mines closed and all the miners left, the city was hurting for cash.
Beacon was enlisted to address the problem. In its research of Yubari it discovered something compelling: that its inhabitants do not divorce. Ever. For whatever reason, probably having to do with that it was damn-near deserted, marriages there maintain a 100% success rate.
Silver bullet in tow, Beacon immediately positioned Yubari as the place to insure your happily ever after. The campaign was ridiculously successful in the first year, with newlyweds angling from far and wide to visit. And that's how a small minor town became Japan's City of Love.
For DIRECT and PR: "Best Job in the World" for Tourism Queensland (Australia), by Cumminsnitro. Well-deserved -- this was truly ambitious work from an agency that was hardly on the radar before this year.
So there you have it. Now see below for some nice PR Lion notables.
Just wanted to do a quick update before Cannes consumes me and I lose my will to blog while sober.
Arrived yesterday: five-hour train ride from Gare de Lyon to the Cannes station, which appears to be dead-center of nowhere. You can immediately tell who came from the city because we're all still in coats, looking grimy and sordid.
Productivity isn't always about the next "Got Milk?". To get creatives elbow-deep in their local community soup kitchens, Cossette/New York produced the a clever little intro for Agencies in Action's website.
It tackles the upcoming Cannes Lions debauchery head-on, kind of uglifies the whole thing, and wraps up with the tagline in that leads this article.
Go do good, guys, in addition to all the other good things you do anyway.
Last night Mullen welcomed clients and friends to its new digs at 40 Broad Street. For forty years, the agency was housed in a really sweet mansion (well, two. one burned down but that's another story) North of the city but felt it was time to leave the woods and become a city dweller.
At the gathering were many Mullen folk including CEO Joe Grimaldi, Chief Creative Officer Edward Boches, Director of Account Service Alex Leikikh. Also in attendance were Boston Ad Club President Kathy Kiely, a&g CEO (and newly appointed Boston Ad Club Chairman of the Board Andrew Graff, Freelancer Vashti Brotherhood and many others.