There's something totally classy about blowing coke up your nose with a McD's coke spoon. It ties you to America somehow, and to cheeseburgers, and to childhood.
In the '70's, McD's strange-looking stirring spoon gets adopted by the white powder cult. Panicked about becoming accomplices in the empire of blow, family-friendly McDonald's discontinues the multi-faceted units.
But this kind of thing doesn't die quietly. Artists Tobias Wong and Ken Courtney bring the hot spoons back - plated in 18k gold, disco-fever style. Pissed at their insolence, McD's released a cease and desist.
Oh come on. It's every fledgling brand's wet dream to be appropriated by some enthusiastic subculture. And who doesn't want the designer drug users (possibly now enthusiastic - and wealthy - pop-art consumers)? They define trendy.
Plus, coke-heads are generally skinnier than the obese protesters long courting the golden arches. They make natural retaliatory press. Getting fat? Forego the baked apple pie for a spoon. It's free! (Magic dust sold separately.)
While we're used to Google garnering residual PR for retooling old media for new ways to advertise, we're pretty unused to seeing Google actually advertise outside of sanctioned Google space or some kind of cross-brand. It's a card the uberbrand rarely pulls.
Shortly after deciding to make Gmail public (really this time, except not) Google's decided to start marketing for it too. And who did they tap as the vehicle to do the job? Youtube.
Nodding to critiques about big names doing bad at guerilla, Google makes sure we can't accuse them of getting too slick. The video takes place in a cubicle farm, is narrated by a 20-something and demonstrates Gmail's unique features with hand puppets made of office tools.
Clever, Google. They have a cavalier way of hawking great services by demonstrating none too shyly how much fun they're having. And even as VC's shake their heads in disgust at the grinning Googlers sipping smoothies, you have to admit few companies are willing to let their minions put their deskside office art on air. Maybe one day we'll be getting credit for our low-key talent as origami bird makers.
We pride ourselves on our unsurpassed potty-mouthage, so we feel a little outdone by this new Earth Day campaign that's kind of sponsored by Greenpeace.
The naughty prints are only "kind of" sponsored by Greenpeace because Exit3a copywriter Tom Mullen admits to AdCritic they haven't told the organization about the print series yet. "It's probably not legal, but there's too much paperwork, meetings and phone calls involved to get the campaign approved in time for Earth Day," he explains. "I figure Greenpeace is too busy getting sued by conglomerates to bother suing a few people who are trying to promote the cause. They can always officially deny the vulgarity."
If fortune favours the brave, perhaps that grace extends to those disinclined to ask permission for slapping mom-fucking ads out into the open and signing it Greenpeace.
We call this the conjure-bonds-by-insulting-the-source technique. This strategy occurs on the playground all the time, except it's done in crayon and usually ends in tears or angry phone calls. We have a feeling Greenpeace will be getting a few of the latter.
Out since early February and in a nod to television's Starsky & Hutch and Knight Rider, Hammer & Coop is a six episode online miniseries that pits a dude named Jim Turtledove against a white-suited megalomaniac named Sven Hartjan. The star of the show, though, is the 2007 Mini Coop. This is not an ad. This is a show and it's hilarious. Though it's not technically an ad, the show does a great job of pointing out the car's feature without it seeming too gratuitous.
Two of the six episodes are out and have Turtledove getting sidetracked by a bikini car wash and Hartjan sharing his maniacal plans with us. There's a funny action hero name generator so you, too, can have your own Jim Turtledove-like name. There's also the usual wallpapers, screensavers and buddy icons. Very nice work.
Shannon Stephaniuk from Glossy Inc. did some sleuthing for us about the music in the new Pepsi Pinball commercial. We really like commercial during which a guy takes a wild ride on the ball through the streets of San Francisco. We also really like how the snickering creatives behind this ad, as Shannon's research indicates, seemingly slipped past the client the fact the original lyrics of the version of the song used in this ad, 1977's Jet Boy Jet Girl, are about one guy giving head to another.
Perhaps all those hipster marketers over at Pepsi are too young to remember seventies punk. Perhaps they actually know what they're doing trying to connect with in-the-know hipsters all while slipping it under the radar of Pepsi's culturally disconnected top management. Perhaps neither the agency nor the client has a clue regarding this song's origin. Perhaps, as one commenter points out, it's because the song is not really the song but a version of the song sung by another guy in another band that used to be in the original band. Confused? We are too. No matter what, we just think it's pretty funny.
Gawker takes a look at a recent Banana Republic ad that features what, apparently, are architects all styled up with Banana Republic fashions. Gawker wonders, as we do too, if architects really dress like this. To discover the truth, Gawker spoke to an architect, "Frankie," who works at "a large firm downtown with an eccentric, megalomaniac starchitect at the helm." A taste:
Gawker: So what is it like being surrounded by nubile 23 year olds in khaki coordinates at all times?
Frankie: I am not really sure, to be honest with you. I think I may be involved in some different types of architecture than these people.
We're not too sure how many people would turn to a wet suit to improve their ability to contort into various sexual positions but, apparently, that's what Australian wet suit maker Radiator wants us to think. The campaign's tagline clinches it: "Not As Thick. Just As Warm. All the Rubber You'll Need." Innuendo much? This comes to us courtesy of Australian agency The Furnace. All fou of the as in the campaign are available here as a PDF file or here on AdPunch.
Entry update: Balendu at Adpunch brings our attention to a series of Mustang billboards that actually blur the scenery behind them. The idea is to lend drivers the impression that Mustang drivers see the world in hyperspeed.
Created by Miami Beach Ad School students Ian Hart and Annie Williams, the work takes a traditional medium largely ignored by its audience and turns it into a frame through which any passerby can see the world from the perspective of a very sleek vehicle. The board is made of GE Lexan EXL semi-transparent resin and blurs the scene behind it regardless of the weather.
It was only a matter of time before a game as fun as Crazy Taxi would reincarnate in ad promo form. That's what Nokia has done for its interactive film/game The Passenger, which is pretty engaging. The music ain't bad either.
You're a driver on the night streets of Paris when a sultry woman hops in and urgently asks to be transported to three addresses. At aid is the Nokia Multimedia Car Kit CK-20W, a nifty GPS-stocked device, but follow directions or your passenger will throw insults at you. Don't you love doing life-saving favours for people who get all bitchy?
The game was put together by the interesting mindfolk at Hyper Happen, Fuel Industries and Karbon Arc, and features footage of Paris shot just last November. Thanks Netanel for the tip. We don't want to sound too excited but this would make a pretty decent (if really, really short) standalone video game. Then again, we're not actually gamers, we're biased ad people, so we imagine actual joystick jockeys are rolling their eyes in disgust right now.
If you like beat boxing, you'll like this new commercial from Nike where athletes' breathing takes on rhythmic form and becomes a creation unto itself. The ad was created by Wieden + Kennedy Shanghai and produced by HSI in Culver City, CA. Not much else to say other than watch.