Check out "Theatre" for Holland Casino. It clearly identifies its audience, demonstrates why casinos are more entertaining than a "high culture" jaunt ("It's more fun when you take part") and even made us laugh. I srsly almost choked on my couscous when dude was all, "IS IT A BOOK...?!"
Nice change from gaudy and cheesy. Good stuff by agency TBWA and production company Czar/NL.
In "Lighthouse," a (very!) short film by Exopolis, a wee seaside community helps light a path for ships long after technology fails them. Very cute. Created for Liberty Mutual's "Responsibility Project" by Hill Holliday.
See a previous effort, "Mandy and Lester" by RSA.
PETA sent a letter to Ralph Basham, the commissioner of US Customs and Border Protection, to convince him to offset the cost of building a border fence by selling ad space.
Why? Because it's got creative ready to run. The ad at left features svelte Mexicans in their homeland and fat chunky ones on the US side of the fence. It reads, "If the border patrol doesn't get you, the chicken and burgers will -- go vegan." (The premise is that when Mexicans cross the border, they are leaving behind a "far healthier staple diet of vegetables and grains.")
Commenters said the traditional Mexican diet isn't meat-free, and the fence itself actually harms animals because it prevents wildlife from migrating for food.
Well, I'm sure if PETA didn't need the fence for advertising and the US gov didn't need another lost cause to waste tax money on (because people in dire straits are really gonna go, "Hey, a fence" and turn back), everyone would be more than happy to take it down.
- iPhone apps have a "kill switch" that empowers Apple to yank any app off your phone whenever it likes. Steve Jobs says they'll never "pull that lever" unless an extreme situation calls for it (like if an app were disseminating a virus) -- but hell, the I'm Rich app wasn't hurting anybody and Apple was quick enough to pull that off the ropes.
- Glad Facebook wasn't around when Shakespeare was. Hamlet might've been much different (but still such a riot!).
- One expat rails against marketing stereotypes about the French, particularly sexy maids and misuse of "Ooh la la."
Got a problem? What you need is a NASCAR driver who knows nothing about you and talks in metaphors. Try not to go racing out to buy Tylenol all at once.
Bravo, except not, to Deutsch/NY.
One thing I love about Benetton: it never knows when to leave well enough alone. "Victims," the current issue of its company magazine Colors, uses the tragedy of the SouthWest China earthquake to try mending the China/Tibetan conflict.
The issue includes 30 shots of quake victims integrated with 30 prayers written for them by Tibetan monks. An accompanying Benetton ad displays a Tibetan monk and a Chinese soldier bowing toward each other, possibly in greeting, apology or shared grief. Readers can send their own prayers over for inclusion in a campaign exhibition.
Provocative as always, but I generally have trouble hating on Benetton (except when they fired Toscani). The "Victims" ad campaign is running in Italian newspapers and in French daily Le Monde.
The Olympics has a way of bringing the sap out in advertisers.
Visa's "Go World" campaign, no exception, trots Olympian trivia out to American viewers while convincing us these anecdotes aren't just important; they're a source of pride, a means to connect with the world by way of titanic achievement against insurmountable physical odds.
All this to win the synchronized high-dive? Yeah. See spots...
In "Peanuts thrown at Shaun White," Shaun's stay-at-home buddies print out copies of his face and tape them to their own, then spend the afternoon calling each other Shaun and tossing peanuts into each other's mouths -- a creepy sight for the real Shaun White, whose first reaction is, "Is that what I look like?"
This is part of Feed Company's ongoing back-to-school online campaign for HP, carrying on from "Shaun White and Friends Fight to Help Shower Hottie."
The lesson in this one: It's Good to Get Out Once in Awhile.
Breasts break through advertising's fourth wall in this Wonderbra bus shelter ad by Publicis/Frankfurt. Just another way too much "support" makes you a hazard to yourself and others. (Thanks @benkunz for sharing.)
When last we reviewed Mountain Dew's Green Label Art project, its trussed-up bottles were gleaning inspiration from mean tattoos and revisiting their hillbilly roots with artist Peat Wollaeger.
The bottle art in Green Label Art Volume 2 is slicker and more computer-graphicksy. There's also a batch of new proteges on call, including Mike Sutfin, who's done artwork for Dungeons & Dragons and skate brands like DC; and Mark Smith, CD at Jordan (yes, THE Jordan) Brand.
Smith's bottle design, Happy Heads, almost matches my Macbook Gelaskin (now with matching iPhone skins!). Beverage + tech coordination = total identification with the idle style aristocracy. Modding every item in your Muji bag may not send you to heaven, but it will distinguish you from the other cafe/cubicle cogs that also use Macs, own iPhones and drink cold beverages. And getting a foot in front of them is about as close to heaven as you can get if you're alive, agnostic, overpaid and insecure.
View galleries and artist videos, or create your own bottle art at the website (tutorial here).