To fully leverage its sponsorship for the PGA tourney in Orlando, MasterCard launches Priceless, an interactive site that positions itself as a telecenter support group for the one-iron-obsessed. Magical voice response technology even syncs what consumers hear on the phone to what they see on their screens.
Based on a set of quiz questions, golf lovers can log into the site and find out how golf-obsessed they are. A major incentive to answering these questions is that afterward you get the option of registering for text messages from LPGA golfer Laura Diaz or cheats from Spaulding Smalls.
We're going to take a shot in the dark and suggest if you actually explore the site for more than a couple of minutes you are probably pretty obsessed as things stand. Like golf itself, unless you actively decide to get involved in it the site ain't terribly interesting.
Dare we say watching a woman stripping in a YouTube video is becoming a bore? It may be but since the readers of Adrants voted Anna, the woman who reads from the new book, Punk Marketing, while taking her clothes off to be hotter than Cleo, the other woman who did the same thing for the book, we thought it would be a disservice not to give you more of what you want. So, here she is for a second time; Anna stripping while reading Punk Marketing.
In conjunction with design/animation/production team Shilo, ATTIK creates a series of weird virals to promote the Scion xB. We think the Scion xB is ugly as hell, but apparently so does the marketing team and they're using its quirky boxiness as leverage.
We haven't got all the virals, but one called Round to Square involves a standard stick figure hacking away at its face until it achieves a satisfying square appearance that brought back traumatic memories of Mooninites. The video then leads us to Want 2 B Square, an odd interactive wasteland with vestiges of death (like the guillotine at left) all over the place. The site also houses games, which we actually kind of enjoy.
We like the look and feel of the campaign but we're still as likely to start hacking away at our own faces as we are to purchase a Scion.
It's been a while and, unfortunately, it's a bit too late but here's some Leo Burnett-created spots for Chocolate Dipped Altoids we actually like. As the agency bids adieu to the client which is heading to the sunny San Francisco offices of Hal Riney, Leo Burnett can be pleased it created some decent work while in lame duck status. These four spots, produced by Biscuit, create four scenarios in which the intrigue displayed by the onlookers isn't due to what would normally cause intrigue. Each spot has a nice twist and holds attention long enough for the payoff. Don't worry, Leo Burnett. Be happy. Maybe Hall Riney will screw it up and the chocolate dipped weirdos will come running back to you. See all the ads here.
In an attempt to stay relevant post-Jared, Subway unveils Fresh Buzz, which houses a bunch of marginal stars that could use a sex tape career boost, and something called the fit evolution.
A diagram suggests that after discovering french fries and cheeseburgers man got progressively fatter and fatter until discovering Subway Fresh Fit.
We're doubting the veracity of that claim because a recent rerun of South Park not-so-quietly divulges that Jared didn't just get skinny with sandwiches, he got skinny with aides. Fitness aides, that is. Does the fit evolution come with aides? No? Then sorry, Subway. Until the day you can give us the aides we need to get fit like Jared alongside your sandwiches, you're just another chain telling sweet lies.
Newcastle dips its toe into national print media with a gargantuan effort orchestrated by VitroRobertson. To add personality to the popular brown ale they're focusing on out-of-box interactive efforts, like these smoothie and tango ads promoting the beer's smoothness.
Billboard-to-print versions like Snake Farm and Golf Academy present the interactivity opportunity with phone numbers that, when called, allow consumers to audibly experience a smoothness authority lauding the beer.
Our local library had a similar call-in service for children who wanted stories read to them but whose parents were too busy. We hope there isn't any confusion. Imagine the potential havoc of all those latchkey kids calling beer people for a soothing morality tale.
Using the Indonesian earthquake, September 11 and Black Tuesday for imagery, a blood drive campaign for India's Jeevan Blood Bank goes for the dramatic reminding people it's not just during disasters that people need blood. It's every day. Of course, to get the campaign's message, one has to read the tiny red type at the bottom of the ad. See the other two ads here.
As a guy with a girlfriend or a wife, you know you've found yourself in situations where, if you were to view them as a third party, you'd cringe and wonder what the hell happened to your manishness. That's the plight in which the guy in this Texas Rangers commercial finds himself. Thankfully, the campaign's tagline, "You could use some baseball," has the cure.
The campaign, created by Austin-based Door Number 3, consists of three television commercials and an outdoor effort (PDF).
If you've ever read a farming magazine, you know they're full of bland looking ads for tractors, milking equipment, barn stantions, feed mixtures, silage blowers and all sorts of other things you've never heard of. To cut through all that boring clutter John Deere (yes, the tractor people) have, with help from Yamamoto Moss Mackenzie, created some decidedly different looking ads to promote their Farm Plan accounting program.
The two ads, Disco Ball and Skateboard, are certainly not your average milk tank ad and we think we think they just might catch a bit of extra attention from your average farmer.
With their usual oddball style, The Perlorian Brothers have delivered another campaign for AMV BBDO London client Wrigley. The two spots illustrate the plaque-fighting qualities of Orbit gum by dressing people up in plaque-fighting suits and havening them fight plaque while accompanied by...a street musician. How very hip. Or weird. Or whatever.