Here's a new GoDaddy spot that will neither change your life nor get you off. In it, two preppyland hotties on a golf course find an enchanted genie lamp. One wishes for the world's longest drive, har har, and I'm sure you can imagine what happens next.
Bob Parsons stars as the somewhat seedy genie; the more vocal chick is model Anna Rawson, a new GoDaddy girl and LPGA player.
Some bra marketers, such as Wonderbra, love to tout the fact they help a woman look bigger than she really is. Others, such as Ultimo, are more practical and love to tout their product's ability to control what they've already got. Even in the most extreme circumstances like, oh, on several roller coasters at Allton Towers Resort.
Host Holly thanks us for joining her and a bevy of lingerie-clad ladies who illustrate how Ultimo is all about allowing women to enjoy "thrills without spills."
Ladies, do not attempt while wearing a Wonderbra. You will get hurt.
"One Powerful Mother," the latest PSA by Partnership for a Drug-Free America, casts light on a powerful woman indeed. Moments after giving miserable vagina-decimating birth to a teenager, then having her heart shredded to pieces as he rolls his eyes and starts walking off, she still has the strength to raise her head -- ever so slightly -- and say, "Don't even think about going to Kevin's."
The message is swiftly and cleverly delivered: it takes one powerful mother to have a teen. And an even tougher one is called for to keep that teen drug-free.
Work by agency Martin Williams and production firm Gartner.
"Insane Crash" is a coupla months old and continues Sprite's "Freedom from Thirst" campaign, which launched in 2005.
From what we can gather, a passel of sun-fatigued, thirsty teenagers sit around, baking in their boredom. Then, in a moment of Sprite-lubricated genius, two guys on opposite ends of the quad come up with a really fun idea: slamming into each other at high speeds and exploding into droplets of sugary dew.
The first slam sparks a chain of equally inexplicable -- but apparently thrilling! -- martyrdoms, and everyone is happy, and there is rock music, the end. This sordid piece of wasted time brought to you by Ogilvy/Asia-Pacific.
Our intimate dependence on cars -- and weird tendency to humanize them -- lies at the heart of AAMCO's "Romance of the Road" campaign, a $30 million effort that marks the largest in its 46-year history.
If you're a band, you might not actually be a band. Much like the is-this-real-or-is-this-computer-generated world of The Matrix, the band in these Beattie McGuinness Bungay-created Samsung Beat DJ commercials keep getting outside interference from...um...a giant finger.
Director Paul Hunter worked with Cut + Run's David Checel for the project. The two previously collaborated on an Orbit "Droppin' 35" video and Dr. Pepper/Dr. Dre.
86itjunk.com is a Canadian service that checks out your junk, gives you a quote and hauls it away on the spot.
The service sounds both parts filthy and boring, but instead of confirming our collective yech by going down the cheap-homemade-ad route, the company actually invested in a pretty good -- wait, no, highlarious -- campaign.
Charmingly taglined "Taking crap. It's what we do," three spots feature two increasingly lovable junk guys, which stay sane amidst the trash by doing guy things: engaging in potentially fatal bets, sparring with blunt instruments, and just generally destroying each other's dignities.
Well, at least it isn't a stupid sunglass toss. This new Cutwater-created work for Ray Ban borrows significantly from Sony Paint but, aside from that, we do like the colorific, Matrix-like style slomotasticness of it. Don't blink though or you'll miss the Never Hide tagline at the end.
But, really. Who cares about that anymore? After all, we can't make ads that looks like ads anymore, right? Only cool stuff that tries really hard not to be advertising and that pretends to be something else while at the same time making every effort to make sure everyone actually does realize it's advertising while hiding the fact it...oh we could go on forever explaining this tactic.
Just watch and enjoy.
Corona demonstrates how to make good use of the newspapers that've spent the last six months foretelling our economic doom, bleeding woe like a car crash we have to relive every. single. fucking. day.
And as for that BlackBerry that you no longer need because of ad spend-related job cuts? Here's what you can do with that.
Life's too short to throw our well-being out with the bathwater. Good chill material by Cramer-Krasselt, which also handled the media buy. Also impressively in keeping with Corona's longtime creative positioning: those lounge chairs, that sea, nicely-chilled bottle just within your reach.
Ahhh. We want beach.
The music in Palm Pre's "Flow" feels Stephen Spielberg epic, but the concept of the ad itself is a little weird.
In "Flow," a woman saunters into an empty field, settles on a giant rock and starts futzing with her Palm Pre phone. At the same time, an entire army of orange-clad martial arts-inspired dancers appear around her, illustrating her big internal soliloquy with their unified movements.