We love this stuff. Every time we see it. Either the billboard crew handling the erection of these two billboards was overly distracted by the large breasted female walking by in that tight, short, schoolgirl miniskirt or they couldn't pass up the chance to quench their thirst for hilariously sick humor. The headline on the carrot billboard hits the home run. Click the image for fully engorged viewing pleasure.
If Al Qaeda and Hezbollah were up against each other in an election, these two spots from "here again, gone tomorrow only to return the next day and then leave once more only to return one last time" magazine Radar, would likely be what we might expect to see.
In yet another "is it real or is it fake" collection of YouTube videos, a giant marionette wearing, it seems, a pair of Levis was hoisted by three helicopters over the streets of Reykjavik Iceland. The giant creature towered over buildings, peered into people's windows and wore the world's biggest pair of jeans as it "walked" down the street. Real? Fake? Who cares. It's cool.
We just love the wittiness of fashion designers and their ad agencies who come up with eBay tattoo auction knock-offs like this ad for Francesco Biasa who, apparently, is trying sell handbags by placing tattoos (likely fake) on the naked bodies of models. Isn't high fashion a beautiful thing?
The introductory caption to the current potato-talk segment of BenettonTalk tells us "Potatoes: you probably eat them quite often, but what do you really know about them?" and wins prominence on the homepage over other important topics like the Tripoli Six, deforestation and a little rant about airport security.
The illustrations are cute in a creepy sort of way. We also learn that one does not in fact grow more potatoes by putting a potato into the ground. Potatoes come from seeds. There's an impressive networking fact. - Contributed by Angela Natividad
Apparently to tout the color choices of its vehicles, Susannah Breslin tells us Italian car maker Lancia has launched a site that lets you try out the colors....on the bodies of men and women by choosing a color and then a body part to color. The site's in Italian but Unscathed Corpse has translated directions. Have fun.
In perhaps some sort of inside Advertising Week joke, Rupert Mudoch-owned New York Post is running ads for Mort Zuckerman-owned New York Daily News. Perhaps one of the two lost some sort of bet while comparing who had the hottest girlfriends and wives. Or, perhaps, there's a deal in place for one to buy the other and an over eager ad sales rep jumped the gun on accepting cross-media ads. Or, we're just dumb and there's a perfect good explanation for this.
Hmm. It seems today's edition of Adrants is turning into the all-sex edition. We had Paris Hilton driving drunk and sponsoring a wine-maker. We had girls on ponies playng rugby at the beach for Burger King. Now we have the most blatantly sexual story of all: actual girl on girl sex. Well, not porn-like actual sex but it's close enough and it's from our good old friends Independence Cigar who've always known the best way to roll a cigar. All videos contain nudity. You decide when and here to view.
Usually when something becomes self-referential, that something realizes it's become a parody of itself and it's time to make some big changes. The advertising industry seems to be incapable of that and Wunderman's Career-O-Matic 3,000 (which we think we've seen before) reminds us of that once again. The device helps people find life after advertising because, after all, the industry is going though a paradigm shifting toilet flush as the :30 morphs into a MySpace page, commercials are now called "virals" and agencies (dot com) take their pants off in public so all can see what passes for strategic thinking is just a bunch of people running down the hallway self-importantly shouting, "Corner office! Corner office!"
We're not exactly sure this is something Minneapolis-based Colle+McVoy should really be all that excited about but since they sent a press release, apparently, they are. For some reason, they're very excited two of their creatives, Mike Caguin and Eric Husband, have returned to the agency for a third time. Returning from Butler Shine Stern and Partners ,Caguin explains the move back saying, "Why are we back? Simple, Colle+McVoy is doing great work and has lots of potential. And we wanted to get back to Minnesota." said Caguin." One does have to wonder about the other half of this equation - why would the pair leave Colle+McVoy three times in the first place since it's, seemingly, such a great place to work?