The Sexiest Ads of 2011
Every year between Christmas and New Year's we sit down to take on the daunting task of compiling a list of the hottest, raciest, sexiest ads of the year and offer up a year-end advertising-fueled orgasm of epic proportion. So sit back, relax and get ready to be, well, entertained as it were.
If you've never heard of Justine Jaro, we guarantee you will seek her out after you marvel at the use of her pulchritudinous boobs to sell jeans or, along with her equally hot sister, Dawn, engage in every conceivable porn cliche from the feathery pillow fight (while wearing lingerie, of course) to hand bra poses atop a skyline to pleated, plaid, miniskirt school girl antics to frolicking in bed to the liquor facial to alluring candy chewing to the gratuitous booty shot to hairbrush singing. OK? Caught your breath? Ready to move on?
Delivering an entirely different sort of come hither sexiness is Keira Knightely who, after applying her Coco Chanel, hops on a motorcycle and heads over to her photographer's place. She then proceeds to tease, entice and lead him on only to, well, get up and leave. No that's just plain mean, Keira!
In the Coco Chanel ad, Keira was in complete control. In this Lynx Excite Fallen Angel commercial, Kelly Brook is far from in control. In fact she is in dire need of exactly what the photographer above needed. Yes. It seems Brook was left behind when the rest of the angels fell to earth to find their men. Left behind. Left writhing in a state of perpetual, hyper sexualized ecstasy. Pent up with explosive desire because she hasn't found her match. A match who can offer her much needed release from all her unrealized desire. Desire so powerful it causes her to moan with wanton abandon from the clouds above. Desire which brings her to the edge of nirvana but refuses to deliver. Desire which, if not given the chance to release itself in a flood of orgasmic delight could very well cause the world to end as we know it. OK. We'll wait. Go ahead. Check your blood pressure. All good? Good. Let's move on.
