For Hatfield Quality Meats, Red Tettemer built a foosball table where sausage links take the place of soccer players.
The set-up brings a grill to mind, but unfortunately all the sausages are plastic. The game will be used at events and sponsorships.
Neat way to build engagement. Wondering whether it might compel stoned co-eds to try building their own foosball tables out of cocktail links and bamboo skewers. Will trawl YouTube regularly, just in case.
Unless you have a potty mouth, in which case you'll need to stockpile cards with funny little pictures on them. Well no, not really, but wouldn't that be funny?
More sass-talking picture-play:
o Rok your ass off
o Rok your cans off
o Rok your knockers off
o Rok your funbags off (who says that?)
Tagline: "Like there's no tomorrow." Aww, it finishes the sentences started by the ads! Get it? Get it?! Clever, so clever.
By David&Goliath for Rok Vegas, "THE club to come to for a high energy, don't-give-a-f**** good time," the latter promised earnestly. Note how it never once soils its mouth (or its print!), leaving that to its rowdy, sleepless, perpetually-trashed target market.
Pop your number in at White Castle's Crave is Calling campaign site to get random food-related calls on your phone at odd hours. It's kinda like having an aimless 17-year-old friend with the munchies.
Work by JWT. Users can also shoot the end of a Crave ad -- typical food porn-type stuff -- and upload them onto YouTube. So far only one submission has been made this whole summer, so either the campaign sucks or the copyright Nazis strike again.
- Last night Steve Hall hit Nokia Theater for Adobe's Battle of the Bands (photos here). Later he ran into Barbarian Group, which brought him a-frolicking to a hip hop club. Steve has all the fun.
- Guinness World Records taps greenfield media to manage its 3D book campaign. You'll need 3D specs to get the full experience from the ads, which run from Oct. 6 to Dec. 25 in the United Kingdom and United States.
- Blogging taxpayers aren't keen on this whole "Wall Street bailout" thing: "[We] have yet to see any online evidence of organic support for the Paulson proposal. Instead, what's going on may be the largest flowering of civic dissent since the antiwar protests of 2002-2003, but with a [bipartisan] twist." Our own online digging corroborates that (HuffPo! Michelle Malkin! YouTube junkies!), but Pew says 57 percent of the public favors the bailout. Confusing.
If you're the low-brow cubicle perv we know you are, you probably already know about SFW Porn, where Paint-style animation camouflages visual vice.
Riffing off that style, Diesel promotes its 30th anniversary bash with "SFW XXX." That's not just a Roman numeral 30, it's a naughty '70s-style video that you can't quite be reprimanded for watching. (Bonus points if you tell onlookers this is an ad, which technically counts as research.)
See the pretty panda!
And if you're just that creepy, you might still get off, too. (Hope you haven't got your $30 Diesel skivvies on!)
Bravo to The Viral Factory. This idea -- or, well, appropriation -- may actually sell overpriced grass-stained denim, at least where one blogger's concerned.
Here's a :60 spot that'll flash you back to Schoolhouse Rock. It's called "A Little Change Will Do Us Good," released for Gulf Power by agency Luckie & Co. Animation by Z Animation/Dagnabit out of Atlanta. (Don't worry, there's nothing remotely Sheryl Crow-ish about it.)
The ad encourages citizens to save energy while demonstrating how Gulf Power is doing its part. Supporting efforts include print, outdoor and subsite ChangeWillDoUsGood.com, though that doesn't seem to be working right now. The ad campaign debuts Monday, so I'm positive the site'll be up by then.
Simple, G-rated, retro -- and consistent across media. Good stuff.
UPDATE: The folk at Luckie & Co. say the site will be up by tomorrow, fingers crossed.
In a rant worthy of the early, pre-corporate days here at Adrants, AgencySpy's Superspy (thank God she's back) rips into the assholes of, well, assholes whose twisted minds are still living on some early American Southern plantation and can't seem to realize "black folk" are not some alien race that just landed and that must continuously be probed and pigeonholed.
An atrocious "Top Model" poster, a diabolically clever "Dexter" campaign, a witty "Chuck" ad, an insanely Candyland-looking "Biggest Loser" promo and an all-too-sleepy "Fringe" billboard are among the 25 best and worst fall TV "key art" ads bluntly critiqued and graded in a slideshow on Hollywood Reporter's The Live Feed blog.
The Hollywood Reporter's James Hibberd tells us, "Project was inspired by sitting in LA traffic, looking at the annual fall deluge of TV ad billboards and thinking it might be interesting to review the most compelling ones."
Check it out here. One of my favorites, Gossip Girl is first up.
After the MIXX Conference and MIXX Awards, Adify hosted a party at Jay Z's 40/40 club which is a seriously cool place and rocked. Not just a bar, not just a club, the place has several theme rooms that are like large living rooms. One features a vertical chess board. Another is all about billiards. Another, called the ESPN room is, well, all about ESPN and sports. And another is for serious cigar smoker. It's one of the best venues I've seen for a party like this.
And can we talk about pillows and couches? The place is full of them; enough to furnish twenty house. Bottle service was afloat in one of the rooms. Avid pool sharks took over the pool tables. Tunes were spun and food was passed. Dear ad:tech exhibitors/sponsors: have one of your parties here.
I ran into Deep Focus VP of Publicity Christian Berges, Millward Brown VP of Strategic Services Doron Wesly, MoVoxx CEO Chief Mobilizer Alec Andronikov and the lovely gigya Advertising Sales Manager Jacqueline Gerber. For all the juicy, visual goodness, see the party photo album here.
On Monday and Tuesday during Advertising Week, the IAB held its MIXX Conference and Awards. All the usual suspects where there are the Crown Plaza in mid-town Manhattan for the event. Adify, Laredo Group, Star Media, Microsoft, VideoEgg, ValueClick and many others. Of particular note was VideoEgg's Lauren Rogers who dressed herself in a yellow chicken costume for the ntire two days of the show. Cuteness. (And yes, VideoEgg advertises on Adrants)
In one panel Heroes creator Tim Kring talked about how the web played (and still plays) a big role in the show bit only for promotional purposes but as an integral part of the show's plotline as well as a platform for new and separate plot lines. Kring acknowledges the internet has drastically changed how traditional television is consumed, how viewership ratings have been negatively affected and how new audience have found the show and are viewing without turning on the television set - which challenges Nielsen to no end.