Here's a series of ads for The Alberta Library which tells us just how powerful informative and motivational books can be. Aiming to show just how much influence a book can have on a person's life, both positively and negatively, four scenarios are played out to humorous effect.
Created by Rethink Vancouver and produced by Holiday Film, the commercial's directors commented on the work, saying, "We were both attracted to this job because neither of us can read, and we thought this would be a good excuse to go into a library for the first time. We loved Katie and Chad's scripts, they were simple and quite dark, and reminded us how libraries can lead you down the road to ruin, but then get you right back on track. It was our idea to use real actors in all four spots, instead of CGI characters used in most library commercials."
Along with Julie Walters, Fern Britton, Harry Redknapp, Boyzone's Keating and, yes, Star trek's Patrick Stewart, UK girl group Girls Aloud will appear in a new Nintendo Karmarama-created campaign for the Nintendo DS.
Nestle grabbed the musical group earlier this year for an appearance in a Kit Kat commercial. Girls Aloud will appear in a series of commercials for Nintendo with the first breaking next week.
- The majority of senior marketers - 55 percent - lack a quantitative understanding of brand value at their respective organizations, according to the results of a new Association of National Advertisers Interbrand survey, announced over the weekend at the ANA Annual "Masters of Marketing" Conference in Orlando, Florida.
- Now that Avenue A/Razorfish has rebranded as, simply, Razorfish, the required new agency website is up and running.
- Cadbury Gorilla gets yet another spoof.
- Hmm. Old client Akamai is getting into the ad business with the launch of Advertising Decisions Solutions, a behavioral targeting solution.
- Yawn. CMOs are angry with agencies and ad networks. This is a new sentiment?
MySpace Music, which went live in late September, is running a print ad campaign composed of artists and some of their favourite playlists.
At left is an ad featuring Moby, complete with link to his MySpace site. The text, presumably hand-written by The Man Himself, gives us the skinny on Moby's New York playlist.
Also see "Songs to Come Down To," a handwritten playlist by Kings of Leon, and "Music that My Friends Wrote" by Jenny Lewis.
Sedate, distinctly cool and in keeping with the network's indie band community feel. This is the first time MySpace has stepped beyond its borders to advertise. But hey, this is also the first time major labels have been willing to help foot the bill.
- Avenue A/Razorfish is changing its name to Razorfish.
- Considering an iPhone? Read this first.
- Wife killed by estranged hubby for changing her Facebook status to "single" too soon. Wow ... the world has changed.
Like a Calvin & Hobbes decal come to life, "Slash" for MTV Switch depicts people pissing in public places. The moral of the story is to "Save water, flush less." (Niiiiice.)
By Ogilvy/London, which has an odd take on persuasion. Wizzing in a fountain is funny -- hell, incendiary -- while you're stoned and around age 15, but unless things have changed abroad, doing it in the Queen's England remains both unsavory and illegal.
There's no accounting for logic in advertising, however. Along with other "green" MTV Switch ads, "Slash" will likely run across 55 TV channels in 162 countries. The track in the ad is Miserere Mei, by Bouwe Dykstra.
The United Kingdom recently considered passing laws that would enable the gov to detain terrorism suspects for 42 days without a trial.
To give ordinary people an emotional education on what the law would mean, Amnesty International launched "Sleepwalking," an eerie spot that depicts citizens crawling out of their beds late at night and in a kind of stupor. Together they walk into a holding facility and file themselves in separate cells, still more asleep than awake.
The ad admonishes people not to "sleepwalk into" this anti-terrorism bill, which in freedom's name would infringe on citizens' rights.
Slow-moving and unpleasant, but it's powerful that way. By production company DarkFibre. Voiceover by Christopher Eccleston. Learn more at Protect the Human.
Perhaps due to the embarrassing Agency.com Subway video debacle that likely caused every agency to crawl back into its self-promotion shell for fear of nasty public retribution, videos highlighting the internal workings of an ad agency have been few and far between. Ending this reign of fear and daring to expose itself to the industry at large, Atlanta-based Moxie Interactive is out with Birth of an Idea, a video which turns a classic analogy into a fairly humorous look at the reality of giving birth to an idea. Yes, the video does go there.
MCM Net and Aardman partnered to produce Creature Discomforts, a campaign for the Leonard Cheshire Disability charity. Its purpose, I think, is to encourage outsiders to change the way they perceive disabilities.
I'm just confused about how. The campaign launched a game called Peanut Pickup, where you, a mouse, shoot peanuts into an elephant's trunk. That's it.
It isn't clear what lesson I was meant to glean (could it be a hand-eye coordination game for disabled children...?), but all I could gather was it isn't nearly as fun as Suicide Kittens -- which, for a minute or two, I mistook for another component of the Creature Discomforts campaign.
Everyone of us has experienced that embarrassing moment when, to our horror, our parents find out about that not so straight and narrow thing we do whether it be for play or for work. When it occurs, you just want to bury your head and forget your parents even exist. In this commercial for Renault, that notion is put to use but with a twist.
Because the Renault Twingo is a modern car for modern times, moms who drive them are also modern and don't have a problem with their daughters stepping outside the Sunday church group, taking initiative and making a few extra bucks in a job one wouldn't usually highlight during that coffee gathering after Sunday service.
Twingo. We live in modern times.
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