Here's a video of Barbarian Group Co-Founder Rick Webb, shot at Internet Week, telling ad agencies it's time for them to realize technology is an aspect pf marketing that can no longer be ignored. He acknowledges the day of agencies relying on outside tech providers to handle their tech needs (as opposed to doing it themselves) is over. He also notes the unbundling of agencies is very much the wrong thing to do in this tech-fueled era of hyper-integration.
Ooh! This looks like it'll be fun. On Monday, the Association of Independent Commercial Producers (AICP) premiered The Art & Technique of the American Commercial show at MoMA New York.
The show explores the last 20 years of American advertising, a nostalgia-heavy treat fit to dilate the pupils of any ad geek, but it'll also be very "present"-oriented -- that is, you'll be seeing how the work has evolved to produce the aesthetics used in great advertising (think Apple) today.
Forget old school raves in undisclosed warehouse locations. That's so yesterday. Wait...even saying "so yesterday" is, well...so yesterday. Anyway, moving on, Sapient Nitro is out with new work for Footlocker that touts the Padded Collar Loopback from Converse. And, apparently, the fact that the only place hipsters party now is underground. Literally.
Yes. Cataphiles, as they are known, are urban explorers who traverse the catacombs of Paris and, according to this work from Foot Locker, have a really great time doing it. Who knew a few dank, dark, underground passageways could be filled with so much hipsteresque frivolity?
Previously in the strange land of Foot Locker advertising: Fetishistic Spanking.
- A behind the scenes look at the recent Megan Fox Emporio Armani shoot. 'Nuff said.
- About.com Advertising blogger Paul Suggett has had it with ads that use actors who pretend to be a brand.
- MTV is doing a behind-the-scenes look at Facebook employees.
- Here's the latest Left Brain Right Brain ad for Mercedes Israel. Shalmor Avnon Amichay/Y&R Interactive Tel Aviv created.
- Galpin Jaguar says, "If a customer buys or leases an eligible comparably equipped Mercedes, BMW, Audi, Lexus or Porsche within 10 days after a new Jaguar test drive at Galpin, they will receive an American Express Gift Card valued at $1,000,"
Oh look. It's parkour in yet another ad campaign. Leave it to the ad industry to latch onto a trend and beat it to death. Beer babes? Done. Matrix-style camera swing? Done. The Verizon Dumb Dad? Done. Use of popular pop song? Done. Cavemen? Done. Chimpanzees? Done.
Now we can add parkour to the latest overused tactics in advertising. This time around it's Epson, courtesy of Albion, which is promoting its new EB-170 Series ultra-light portable projectors.
The commercial features "free-running" (the new buzzword affixed to parkour) talent Sam Parham and Chase Armitage, one carrying the Epson EB-1775W and the other carrying a competing product. Their mission is to deliver the projectors, stowed in backbacks, to a rooftop presentation several blocks away. Epson, of course, wins.
Cats, breasts, little girls, Tehmeena Afzal, Twilight, SEO, law school, cheerleaders, stewardesses, time travel, guns, Christina Aguilera, men who smell like you want your man to smell like, Lindsay Lohan, thongs, six packs, cup sizes and, surprise, the use of sell to sell in advertising. That's the list of topics that top the top stories here at Adrants for 2010. Relive all this and more with our list of the top twenty stories of the year below:
1. Cat Unleashes Ample Breasts in Public Market
2. Should Marketers Eliminate Sex As An Advertising Strategy?
3. Tehmeena Afzal Lends Her Giants to the New York Giants
4. Little Girl Spawns Dance Craze For Samsung
5. Near Naked Twilight Star Ashley Greene Fronts Drool-Worthy SoBe Campaign
We all know Facebook has a twisted outlook when it comes to privacy and all things related to acceptable content on its site. Writing on Work That Matters, Tom Megginson takes a close look at Facebook's stance on breastfeeding.
With a collection of images that compares the site's apparent love for the sensationalizing of large breasts and apparent disdain for a practice that simply nourishes a child, Megginson points out Facebook's seemingly twisted sense of acceptability when it comes to nudity and the female breast.
An infographic from shopping transaction and activity research company Buysight takes a look at the differences between today's advertising culture and the one glorified on AMC's Mad Men. In a post on the Buysight blog about the infographic, the author writes, "Marketers are content creators and publishers are increasingly like agencies. Audiences, too, play an active role now, from debunking false claims to spreading the word about great brands.
Several industry experts comment on the post with Personal Life Media CEO Susan Bratton writing, "Biggest trend: The marketer as content publisher. . . Curating and creating content for search optimization and social media are now crucial components of an online marketing platform. No longer can we buy ads in someone else's content, we must be the content creators to have a voice in the digital domain, which frankly, for most brands, is where the war is won in the 21st century."
What do you think the biggest changes have been since Don Draper walked the halways of Madison Avenue?
This is a post about smoking, which I wrote to precede my sunshiny Lions wrapup. It is randomly scattered with pictures of the events and people referred to, in part for context, but also so you don't have to scroll through all the "fun" shots without perspective.
In advertising, we pick up a lot of habits - "creative" habits, mostly - that we occasionally are and aren't proud of, depending on our mood and who's looking. The Cannes Lions becomes a magnifier of all those habits: there, trapped in paradise for a week, people don't just drink until 5 in the morning; they often smoke as if all the weight of the world depends on it.
"Last night I knew it was time to go home because I started chainsmoking," complained Shannon Stephaniuk of Glossy. "I hate smoking more than anything else in the world!"
I suppose I believe her. I've never seen Shannon pick up a cigarette, not once, and I smoke a great deal, which usually outs the casual smokers in party atmospheres.
Anyway, this Cannes phenomenon leads to a lot of semi-casual conversation about why we all started smoking in the first place, which naturally drifts over to quitting and efforts to get there.
This is why I started smoking (in earnest, not counting the flirtation I had in college when my best friend gave me a pack of Vanilla Dreams for my 18th birthday): to eke a promotion out of a boss who only discussed "the future" with his subordinates during smoke breaks. I was 19, maybe 20.
"You know what Gabriel Garcia Marquez did to quit?" began Draftfcb ECD Mark Fiddes, rather grandly, at a beachside luncheon for production firm Mad Cow. "Gabriel Garcia Marquez buried his last packet of cigarettes. Big mound. It was something he could walk by and look at every day."
"That's how he quit?" I asked incredulously. Garcia Marquez was a heavy smoker - six packs a day at worst, I think.
"That's how," Mark said smugly.
The social graph. Data portability. Privacy. Data control. Peerset CTO and Co-founder Amit Kanigsberg has a few things to share on these topics in this second post in a series on the use of personal data.
Pursuing Transparency is no Private Matter
What does transparency mean to you? In the online advertising industry it conjures one of two things: 1) For the advertiser, full insight into the ad serving stack (from agency to publisher) or 2) For the consumer, full insight into the targeting data ad networks and data providers collect (e.g., Google, Bluekai).
If your first thought was #1, you are forgiven. It is after all natural to follow the money. And there is plenty of it being strewn across that field. But I'll argue that you should be thinking about the consumer a bit more, the sleeping giant as it were. And if you jumped straight to #2, then I'd bet you felt that current efforts and lackluster hype around transparency seems a bit, well, lacking, slight, effervescent, wispy, ethereal - more translucent really.