It seems the very dedicated Al Cabino just might have his way after all. For years, the man has been behind a grassroots effort to get Nike to manufacture the sneakers Michael J. Fox wore in the 1989 movie Back to the Future 2 during the year 2015 scene. A petition site McFly 2015 has been launched to collect signatures and convince Nike there's a market for the shoes. Oh, naturally, there's a MySpace site too.
Here's a campaign that's too relevant for comfort. Merkley + Partners get cozy with the Ad Council -- which was recently in bed with the US Army for a grammatically icky and unconvincing get-edumakayted campaign -- to inflict fear upon teens for more conservative internet practices.
Part peer pressure, part plain creepiness and all mortification, the spots are entitled Bulletin Board and Everyone Knows Your Name. A typically over-informative PR tells us it's meant to raise awareness about online sexual exploitation but could just as easily be a cautionary wrist-slap over the ever-growing epidemic of Google-happy employers.
For all you lovers of Second Life, this Netherlands Kit Kat spot, created by UbachsWisbrun/JWT is just for you. So get off your ass. Turn off the laptop and get a Third Life...or at take a break with a Kit Kat bar.
In early March, Hyundai began accepting applications for its Mash and Seek Challenge, a game somewhat similar to a game developed for Budget car rental, which will, on April 30, place 16 finalists in teams of four with a single photograph mashed up with the faces of the team members. The first team to find another will win four 200y Hyundai Elantras. Quizes will be administered every two weeks and those that answer correctly will be given clues to the location of other teams. Check it all out here.
On Tuesday, April 24 from 1:45PM to 6PM at the Microsoft Briefing Center in New York, conference organizer Business Development Institute, along with Facebook and PR Newswire, will be hosting "Authentic Communications - Examining Social Media & The Online Conversations," a conference which aims to bring the industry together and examine social media; it's successes, failures and what it means to marketers. Check out all the details here.
If you've ever harbored a politician payola fantasy or simply wanted your vote to count, Hillary Clinton gives you the Count Every Vote Act, her (hopefully) viral attempt to turn every American into a foot-stomping, vote-seizing "citizen co-sponsor" - not for her campaign but for the right to vote itself. (And don't forget to send to a friend.)
Well, it doesn't take a marketing douche to say it's always nice to have the addresses of several thousand online supporters on file and at the ready for a slew of e-mail blasts pre-2008. ZDNet notes, "The Clinton 'I need you to be my legislative co-sponsor' exhortation recalls the Web 2.0 cliche 'users are in control.'"
This week, SXSW Interactive featured a keynote conversation with Limor Fried (Adafruit Industries) and Phil Torrone (MAKE Magazine). Hacking the DIY culture, Torrone and Fried discussed the techniques of tinkering with technology. With examples such as the Bacon Alarm Clock, skin-embedded RFID chips, and the recent Gummy Bear Chandelier, the panelists whetted the audience's palate with a selection of delicious DIY snacks.
Hacktivism culture has been spreading at a rapid rate as of late. Simply said, "People make weird and bizarre things," Torrone stated in response to the movement. Sharing "recipes" has now become commonplace among tinkering communities and unlike dating, you're not slapped if you show all your intimate parts too soon.
We like to think of street art as advertising that pushes back. After all, even graffiti's got its own idea to sell.
Wooster Collective points us to some paste-on street art by Mike Newton, who says, "I noticed how the police would move the homeless from street to street, doorway to doorway around the town. This gave me the inspiration for my latest piece 'removing me won't solve the problem,' a kind of twist on the removal of graffiti."
A similar campaign we once conducted also involved reintroducing absent social pariahs to their natural environments. But we don't think our parents were super thrilled when we wandered into the kitchen wearing Mom's "Like a Virgin" outfit during Pops' business dinner. We bet it left a lasting impression, though.
Offering no apologies for social disruption, the Emerging Social and Technology Trends panelists invite themselves into your conversation. The panel on Saturday hosted yet again a large group of speakers from diverse backgrounds. Although intimate panels tend to be more revealing, this one at least showed a little leg. Headed up by Laura Moorhead (Wired), the panelists included Andrew Blum (Wired), Robert Fabricant (Frog Design), Eliot Van Buskirk (Wired), Peter Rojas (Engadget), and Daniel Raffel (Yahoo!).
Perhaps drunk at the wheel sometimes, technology does drive social change. In turn, everyday people are now enabled to be the drivers as well. Similar to the blur of how you got home the night before, there is no longer a clear sobriety line to walk between social interaction and technology. Likewise, a constant negotiation between public and private, business and pleasure, leaves many at polar realms. Understanding the integration versus isolation debate is said to help us understand ourselves, or at least what Kool-aid we drank to get there.
We love a conspiracy theory as much as the next guy. That's why we're so attracted to the latest rumour about the mysterious Splasher, an entity splashing paint on street art in trendy New York neighborhoods, who suddenly appears to have an agenda.
To lend some background, the Splasher's been attacking local art through January and pasting manifestos alongside them, calling street art "fetishized [actions] of banality" and "a representation of the most vulgar kind: an alienated commodity." Readers are admonished not to remove the flyers because the paste is allegedly mixed with shards of glass.
I'm Not Sayin notes the latest batch of splashed posters coincide with the art instead of defacing it. And what's the "art" in question? American Apparel ads, of course. He then posits the Splasher is a guerilla campaign cooked up by American Apparel in order to attract (or provoke?) the attention of hipsters, artists and news outlets.
They've succeeded (if indeed it's them), though we'll throw a guess in the pool and suggest they may just be piggy-backing on an actual art-defacing, paint-happy ad-Zorro out yonder. Assuming it's all AA's doing, whether they'll be revered for cleverness or reviled for crime (which graffiti, however pretty, actually is) is another story.
Thankfully, lots of street art starts out as some kind of "defacing" appropriation of public space so we're sure they'll be sympathetic to the big brand's splattery assertion that they're all bourgeois tools.