Mix the charm of The Elves and the Shoemaker with the Napoleonic Lilliputians of Gulliver's Travels and you've got "Kitchen," the print piece by JWT/NY for Johnson & Johnson's Visine.
The visual relates a myth about how all those tears get inside a wee bottle of Visine. Look closely: tireless miniature men conduct tear-gathering work around the frozen face and body of a glassy-eyed woman of normal size. Cut onions litter the table before her; elsewhere, tiny labourers bear buckets. One leans over a giant funnel and pours the harvested fluid into a Visine container.
"Natural tears formula. Don't ask how," the piece reads, crimson scrawl on a well-worn hanky.
Dark and beguiling, like good fairy tales often are.
Brunton promotes its futuristic camping gear (grills, solar panels and the like) by riffing off imagery that looks suspiciously like the covers of paperback science fiction novels -- particularly those of the Asimov persuasion.
The hope is to tie all those chromey, multi-use bells and whistles back to nature, which is what camping's all about, really. (Why pack the oil lanterns when you have JETPACKS?!!!) Work by Cultivator Advertising & Design/Denver; variants here and here.
The One Show is debuting a Green Pencil award to honour "the one piece or campaign that best represents the highest standards of excellence in the field of environmental advertising" (...aaaaaand rake in more preliminary entry dosh).
Actually, it was agency BooneOakley/Charlotte's idea. Hoping to keep the institution relevant, it came up with the Green Pencil concept: an award composed of recycled glass, made in Taiwan (natch!) by Tittot, a "lost wax casting" glass art studio. Rapper and Battleground Earth co-host Ludacris will present the award on April 6.
LOL. To promote the strength and intensity of the Mag-Lite, Ogilvy & Mather/Paris composed a print in which a distracted security guard shines his flashie on a piece of art for a wee bit too long.
That open-mouth clueless look gets us every time. We like!
Antonio Federici Gelato just busted out with a print ad campaign where nuns and priests get a little more intimate than the Holy Spirit is comfortable with. Short but sizzling taglines include "submit to temptation" and "kiss temptation" (see variant).
But the UK's Advertising Standards Authority -- which has shafted campaigns for lesser blasphemies -- has apparently never indulged in the sensual magic that defines gelato. The watchdog is investigating the ads now, but that's pretty much a formality: according to the Committee of Advertising Practice, "linking sex or sexualised images with religion may cause particular offence" and "portraying nuns in a sexual manner is inappropriate."
This is neat. To remind people of their changing energy needs (and increased use of it), Colorado's Tri-State Generation and Transmission Association launched a wordy print campaign with look-twice imagery.
Each depicts an old-school domestic power setup that's been retrofitted or reused to (clumsily) accommodate technology like mobile phones, laptops and widescreen TVs.
Ads read: "The way you use power has changed. Doesn't it make sense to change how we provide it?" Yes, TSGTA, in fact it does.
Work by Cactus.
Who needs the stimulation of nicotine when you have ads like these for Sao Paulo hospital A.C. Camargo? Created by JWT Sao Paulo, the ads stimulate you in a different way/ Or is it confuse and cause a headache. You decide. Still, we like the very non-typical style of this anti-smoking campaign.
After all that awkward backtracking over how much agencies dish out for its pencil-shaped paperweights (where does all that money go?), The One Show is under pressure to lighten the strain on its PR team.
Add to that the usual speculation about whether an old boy's club decides who wins what each year. How best to respond? Nudge-nudge the conspiracy theorists back, which is what One Show tries doing in this series of wordy tongue-in-cheek prints.
With headings like "Secret handshakes. Secret passwords. Secret secrets," creatives hither and yon can guffaw while the One Club rib-jabs and wink-winks the following message into our collective subconscious: Think we're not transparent enough? That's because WE'RE NOT!
"Shadowy" is at left. Also see "Whisper" and "Shroud." Work by Charlotte-based BooneOakley.
Aw...look. It's butter that's nice to bread and croissants. How is this GayLee spreadable butter so
nice? Because it's not hard, spreads easily and doesn't destroy what it's being applied to.
But come on.
Have we really arrived at a place where we need a product like this when all one needs to do is store regular butter out of the refrigerator where is won't get hard and will spread just as easily as a "spreadable" butter which is likely filled with unnecessary chemical ingredients?
Remember this? No? Perhaps it was the distracting imagery that took your attention away from the product advertised in the ad. Something about really big, fake breasts as a metaphor for the increasing fake-ish world we live in and how wonderful and counter to that are New York Fries.
Yea, big breasts selling stuff. Who knew?
Well now we have an Elvis impersonator attempting to draw the same metaphor albeit in a much less curvaceous manner. Does it work? Do you care?
This one comes to us from zig.